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图书介绍

Jody Fisher was born in South Bend, Indiana and spent most of his childhood years moving throughout the country. His father, a successful radio broadcasting figure, and his mother an actress, provided the creative environment that allowed him to pursue his avid interest in both music and the guitar. By age eleven, Jody was taking lessons in the Chicago area. During this time, he also studied with his uncle, jazz guitarist Sid Fisher who had spent many years as an RCA recording artist. After moving to the West Coast as a teenager, Jody continued taking lessons with some of the top players living in the Los Angeles area, including, Herb Ellis, John Collins, and Louis Speigner. It was during these years that he also attended The Stan Kenton Music Clinics. Jody eventually began studying with guitarist/bassist, George Stanley, who started bringing him to gigs and introducing him to other players. From this point on, Jody made a steady living playing the guitar.

As a performer, Jody has played virtually every style of music professionally. He has played many important venues such as the Hollywood Bowl and Universal Amphitheater. Today, he is primarily known as a jazz artist living in the Southern California area and has recently worked all over the United States, Canada, England and Germany. His newest CD, Impromptu, has received critical acclaim.

Jody has published over twenty instructional books about jazz guitar with Alfred Publishing, Workshop Arts Publications, and Mel Bay Publications. Four of his books have appeared in the Smithsonian Institute's Folkways Exhibition in Washington, DC. In addition Jody has written for most of the major guitar magazines, including Guitar Player, Just Jazz Guitar and Finger Style Guitar.

As an educator, Jody has held the positions of Professor of Jazz and Studio Guitar at the University of Redlands, in Redlands, CA, the University of La Verne, in La Verne, CA, and the Idyllwild School of Music and the Arts (ISOMATA), in Idyllwild, CA. In addition, he has also served as Associate Director of the National Guitar Workshop as well as Director of the Workshop's Jazz Summit in the early years of that program. Jody continues to conduct seminars and clinics all over the country.




Anyone with a knowledge of basic chords and guitar scale fingerings can dig right in and start learning to play jazz right away. Spanning from the major scale and basic triad theory all the way up to extended chords and the modes, this book features a full-length etude or song to go with every new concept introduced. Beginning Jazz Guitar breaks the age-old tradition of dry, intimidating and confusing jazz books, and provides an actual step-by-step and enjoyable method for learning to play in this style.

Clearly organized into easily mastered segments, each chapter is divided into separate lessons on harmony or improvisation. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book.




This book is great for guitarists who have learned the basics of jazz harmony and improvisation. Topics include the ii-V-I progression, creating solo lines, altered chord formulas, and comping in different jazz feels such as Latin, swing, ballad, and even funk. Continuing in the format of Beginning Jazz Guitar, every new concept is accompanied by etudes and songs for practice, and every chapter is clearly divided into lessons on harmony and improvisation. Packed with literally hundreds of chord voicings and improv ideas, this book is a must for any serious student of jazz guitar. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book.




Your guitar becomes the ultimate jazz solo instrument when you master the techniques and concepts in this book. Picking up where the harmony lessons in Intermediate Jazz Guitar leave off, topics include melody and harmony integration, bass line development, chord enhancement, quartal harmonies, and how to arrange a guitar solo. Learn to simultaneously play the harmony, melody, rhythm, and bass parts of any song! Concepts are illustrated with lots of examples to practice, including arrangements of some traditional melodies. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book.




Expand the boundaries of your knowledge and improvisation skills with this exciting book, which picks up where the improv lessons in Intermediate Jazz Guitar leave off. Topics include improvising over altered dominant chords, the diminished scale, the whole-tone scale, targeting the altered chords, revamping licks, modes of the minor scales and more! Loaded with easy-to-read scale diagrams and example phrases, this book is packed with essential information for the improvising jazz guitarist. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book.

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